Showing posts with label marlene Dumas. Show all posts
Showing posts with label marlene Dumas. Show all posts

Wednesday, August 17, 2011

Discovery of the week - Rafael Karcz






Albert Wang, art curator, IAO PROJECTS, Salt Lake City, USA states that rafael, a Polish artist, "focuses both the artist's and viewers' attention on various iterations of human faces, one of the traditional genres of art history. Frequently de-populated and executed with the artist's characteristic somber palette of rather monochromatic colors, Karcz's faces create an evocative atmosphere that is simultaneously disquieting, banal, and even, on occasions, gloomy or sinister. His fleeting glimpses of these motives are often ambiguous - both artist and viewer participate in the viewing of the scene and yet are somehow also clearly excluded from belonging in them..."


I think that, although showing the strong influence of the work of Marlene Dumas, these works cannot be ignored, especially for the apparent darkness in their soul. The contrast between the "touch" of water colour thin paint, applied to such violent, political scenes in dark colours is conceptually masterful, whilst the blur and misplacement of facial features - a recipe for disaster in lesser hands - is handled with great skill. But, you know what, I just love them. They move me, and that doesn't happen often. Enjoy!

Friday, April 2, 2010

marlene Dumas

Marlene Dumas, Figure in a Landscape, 2010. Oil on linen, 70 7/8 x 118 1/8 x 1 inches, 180 x 300 x 2.5 cm. Courtesy the artist and David Zwirner, New York.

Came across this new exhibition by one of my all time favourite artists, Marlene Dumas at David Zwirner Gallery in New York. When I first saw the painting, I was disappointed as I am used to the full frontal, zoomed in nudes or portraits with an edge, which has, until now, been typical of her work. However, there's a great analysis in the Art Daily Blog which, when read, made me more uncomfortable with the often ostensibly decorative art that I am prone to produce. It's a rare case of reading about the work actually adding to its value and appreciability rather than standing in for the lack of visual communication of a painting.

To be so interesting visually, but have such thought provoking content that can move the viewer on many levels is what I would like to do, also. But I guess that's what makes Marlene Dumas the great international artist, much copied but never equalled, that she is.

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